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Website of author and professional editor Rachelle M. N. Shaw. Find information about her books, her editing services, and her blog, From Mind to Paper: On Writing and Editing.

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From Mind to Paper: On Writing and Editing

From Mind to Paper is a blog for writers, editors, and those interested in the English language. It covers a multitude of writing topics, from punctuation and grammar to plot development, character development, and world building. In addition to in-depth articles about various writing topics, this blog also has a number of series posts, which are currently being transformed into a nonfiction series on writing.

WDC Series: Developing Supporting Characters

Rachelle M. N. Shaw

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What’s worse than a flat main character? A hoard of underdeveloped supporting characters, for one. In my years as an editor, I’ve seen a great share of new fiction writers fall victim to that flaw, sometimes without even knowing it. In fact, even if you’re a seasoned writer, this fatal shortcoming can still rear its ugly head from time to time.

But why does it happen? What makes supporting characters so difficult to write? I like to place the blame on those needy main characters and their tendency to be “firstborns.” They’re a lot like toddlers—demanding little creatures that crave your attention and insist on getting their way. When main characters aren’t in the spotlight, they throw tantrums and derail you from the plot. While it might be easy to give in and get caught up in their complex backstory, doing so leaves their crew of supporting characters quite pale in comparison.

You may wonder why supporting characters are so important. After all, isn’t the whole point of a story to tell the main character’s journey? Well, yes and no. You need supporting characters to flesh out the main character and to give your story layers of realism. Just as in real life, characters in books have friends. They’re closer to some than others, and each friendship is unique. Supporting characters can and should shape and influence main characters, making development possible for all involved.

Here are a few tips for achieving well-rounded supporting characters who play an active role in the plot:

  1. Give your supporting characters a rich backstory. Just as you would with your main character, it’s equally important to have fleshed-out secondary characters that you know well. Their past, their motivation, and their likes and dislikes will directly influence their actions. It’s also important to focus on their goals, because chances are, those goals will either help or hinder the goals of the main character, which will directly impact their relationship and encounters with them.
  2. Share the spotlight. If the main character hogs the spotlight for too long, a reader can become disinterested in the story. They might pull away or lessen their empathy for the main character or what happens to them—and that can lead to disaster. While your supporting characters should give way to the main character when necessary, it’s good to have them toe the line, sometimes even battling it out for the spotlight. Some of the most memorable books I’ve read give glorious moments to supporting characters, making me love them that much more. Those are the books that stick with me long after I’ve read them, their characters infinitely more realistic because of that single moment. Without it, the supporting characters become weak and useless, acting more like a prop than a person, in which case they’d be better off completely cut from the story.
  3. Balance the areas in which supporting characters are needed. Supporting characters are a lot like accessories—they should bring out the best in an outfit without overpowering the main ensemble. In other words, they should fit well with the rest of the story, but they still need to take a backseat to the main attraction. When you achieve that, you get a character that readers will care about, often even as much or more so than the main character.
  4. Make supporting characters as complex as your main characters without getting caught up in the details. It may be tempting to chart out every detail about each character you come up with, but don’t get bogged down in the process. As the author of the story, you can certainly venture off into the full life your side character leads, but for the sake of the main story, stick to the basics. You want a backstory that is enriched but still relates to the plot and the main character. This will make your supporting characters realistic while showing readers that they are part of something much bigger.
  5. Keep secondary characters to a minimum. While it’s true that some books will require more secondary characters than others (Harry Potter is an excellent example), having too many can confuse readers and will often result in an abundance of flat supporting characters rather than a few strong, well-developed ones. If you’ve reworked a character, fleshed out their backstory, and they still don’t add anything to your story, it’s time to give them the boot.

Supporting characters are the glue that holds a story together. Though they aren’t the main attraction, it’s okay—vital, even—to have memorable secondary characters that leave an impact on the reader, even if only for a moment. When done right, they can make the world you’ve created richer and more layered, and that’s something readers simply adore.

Trick-Or-Treat Reads 2017

Rachelle M. N. Shaw

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Patricia Lynne, a fellow YA author, graciously invited me to participate in her awesome annual Trick-Or-Treat Reads event again this year, and I'm excited to announce what I have in store.

What is Trick-Or-Treat Reads?

Authors who signed up for the event unite to celebrate Halloween by offering up their books for free today to anyone who wants to score extra reads at a great price. All readers have to do is hop from blog to blog in search of links to the free books from each participating author!

My Bag of Goodies

I’m doing a two-for-one deal again this year, where you can get The Eyes That Moved, the first book in the YA paranormal horror series The Porcelain Souls, for free, then head over to Smashwords and get the second one for free with a special coupon code.

The Porcelain Souls, Part 1

Kendra and Adam, two teens with addiction for adventure and a knack for spotting treasures in abandoned houses, team up to discover the secrets of the Whitson house. When they delve into its undiscovered past, Kendra unlocks a deadly secret, one that Adam failed to share.

The Eyes That Moved is permanently free on Amazon, Barnes & Noble, Kobo, Smashwords, and iBooks. And anyone who signs up for my author newsletter today will get a signed copy of it, as well as a free copy of my latest publication, Sisters. I often send out discount codes, freebies, and exclusive excerpts to subscriberslike I'll be doing later this afternoon, when I'll share the opening scene from my upcoming publication, part 3 in The Porcelain Souls series.

The Porcelain Souls, Part 2

When Marley's parents buy the infamously spooky Whitson house, she comes face to face with the startling truth about its past. Torn between her escalting popularity and protecting herself and her loved ones from the looming danger that surrounds them, Marley must choose if the risks of her new social life are worth it.

The Ballerina’s Gift is available on Amazon, B&N, Kobo, and iBooks for $0.99. But today, you can get it on Smashwords for free with the coupon code AH25P.

Get Books From Other Participating Authors

After you’ve grabbed your free copy of The Eyes That Moved and The Ballerina’s Gift, head on over to Patricia's Trick-or-Treat Reads page to visit the rest of the blogs giving away goodies. Some authors will only have these deals on the 31st, so be sure to check them all before tomorrow!

Lastly, I'd like to give a HUGE thank-you to Patricia, who put this whole thing together. It's been an honor to participate in it for the past two years!

Happy Halloween, everyone, and I hope you have a lovely time book-or-treating!

Not Your Typical NaNoWriMo Writer

Rachelle M. N. Shaw

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That dreaded time is almost upon us, and many of us who are participating in NaNoWriMo this year are either lying on the floor twitching or feverishly scribbling our outlines for the event.

For those of you who aren't familiar with it, NaNoWriMo is a month-long commitment that many writers make each year to hammer out a 50,000-word novel or longer during the month of November. For the past two years, I've participated in the event, but I'm not exactly your typical NaNoWriMo writer. For one, my goal isn't to write a novel. It's usually to write a short story, a series of blog posts, or a combination of my works in progress. Secondly, I'm not fussed about hitting 50,000 words. Truly—I just want to finish my darn projects! So I happily accept my label in that corner of the Internet as a NaNo rebel. It suits me, and I don't have plans to change my approach any time soon. Here's why.

The whole goal of NaNoWriMo is to get you writing. It's a time to discipline yourself, sit down, and get those words out any way you can, whether it's your first book or your hundredth. But I'm not really one that thrives or writes well under pressure. I know that and freely admit to it. I have anxiety—something I don't often share with others. It's a burden I've dealt with my whole life, and this year has been a challenging one, perhaps more so than any other year. Between receiving a substantial diagnosis for both of my kids and managing trips to their therapies on top of it, my life has been turned upside down. So I’ve come to terms with the fact that following the traditional NaNoWriMo path won’t work for me, or my family. But I refuse to give up, so I’ve adapted the concept. After all, writing isn’t just a hobby for me; it’s my career and a huge part of my identity.

Sure, there are those who continue to fling discouraging words at me, telling me that I’m not a real writer if I can’t do something as simple as dedicating a whole month to it. But I’ve learned to ignore the Debbie Downers. Being a rebel isn’t my way of slacking or making excuses; it’s my way of compromising and staying true to myself while giving the most important people in my life what they need. Am I going to write 50,000 words next month? Probably not. But I'm still participating. I've got plenty to work on, everything from blog posts and scripts for a new podcast I'll be doing, as well as the first draft of another book in The Porcelain Souls series. I’m writing, pushing forward despite all the hardships. And that’s good enough for me.

WDC Series: 5 Tips for Avoiding Stereotypes and Cookie-Cutter Characters

Rachelle M. N. Shaw

If you’ve ever read a review that criticized a book for having stereotypical characters or ones that lacked depth, you know just how much it likely affected the reader’s rating and overall enjoyment of it. Flat characters are hard to relate to, and they can take even the most extraordinary plot and transform it into a cure for insomnia. No one wants to read (or write) a book like that, yet there continues to be an influx of published works that receive that very critique. So how can you, as a writer, avoid such a thing?

The short answer is to make your characters unique—a feat that’s far easier said than done. So here are five tips for transforming your cookie-cutter characters into three-dimensional beings that captivate readers and leave them dying to find out what happens next.

  1. Pinpoint each character’s needs, wants, and motivation. Developing a strong character arc is key to giving your readers the dimension they crave. Not only are no two people alike, we’re all complex creatures with many things driving our actions. We succeed, we fail, and we make mistakes along the way. Our encounters with others not only shape our experiences in life, but they often influence the decisions we make. So why should your characters be any different?
  2. Give your characters flaws. Shortcomings make characters incredibly realistic, and even more important, relatable. Everyone has flaws, even the most successful person you’ve ever met. That cute guy you’ve been staring at all week? I guarantee you there’s something annoying about him. And when you look closely enough, he probably doesn’t have perfect skin, perfect abs, or flawless teeth. Maybe he’s even got a scar or two or a crooked nose. Flaws aren’t just skin deep either—even the most popular girl in school has insecurities about herself and will long for something she doesn’t have. By giving your characters faults, you add depth to them and avoid falling into the trap of stereotypes.
  3. Allow your characters to grow and evolve. Even if you have a well-developed character who’s easy to relate to and has adequate flaws, you’ll fall short if you don’t allow them to grow and evolve throughout the story. As I mentioned in the first tip, a character’s environment and interactions with other characters should impact them, even if the effect is subtle. Without that forward movement, characters can grow stale, much like plots do if there isn’t enough conflict or action. After all, it takes both characters and plot to drive a story forward. The best stories have mastered their pacing through a stellar balance of plot and character development.
  4. Blur the line between good and evil. Is your main character an antagonist or a protagonist? Once you have that figured out, make them SWAP SIDES. Then contemplate what would have to happen to pull them back to their original side. Pretty cool, huh? When the line is blurred between black and white, your characters will naturally evolve into complex creatures. Playing both sides of the field can make your character incredibly relatable, even if they’re not necessarily likeable (more on that in an upcoming post in the series), which is incredibly valuable when it comes to fleshing out secondary characters as well.
  5. Develop backstory that only you know as the author. When you have a rich backstory for each character, it’s much easier to see not only what drives them but also how they would react in multiple situations. The more you have established, the easier it is to keep them from falling flat. Character charts and questionnaires are a great place to start, but I’ve found that by focusing on their motivation and wants and needs first, then adding to the list of their traits as I write, I can give them an incredibly realistic depth through the process of writing in layers. But there are many ways of achieving this. If that sort of thing doesn’t float your boat, find another method that does. Also, don’t despair about the details that don’t make the final cut. Think of them as cool behind-the-scenes gems that only you and a select few people are privileged to know. They also make for great extras to include in your author newsletter if you have one!

Recommended read: If your characters just aren’t cooperating for you, check out K.M. Weiland’s book Creating Character Arcs for further ideas on how to develop amazing characters. It’s an excellent book well worth the read.

How to Use Showing vs. Telling Effectively

Rachelle M. N. Shaw

There are tons of writing blogs and articles out there that offer advice on showing vs. telling. But why is that?

Why is showing so important that it automatically trumps telling? Is it ever okay to use telling? The secret is actually in the combination of the two. When you know how you can use showing in conjunction with telling, you can strengthen your writing and sharpen the structure of your pieces.

If you struggle with showing vs. telling at all, check out my guest blog over on the 10 Minute Novelist site today: http://www.10minutenovelists.com/how-showing-vs-telling-effectively/

In it, you'll find tips for balancing the two and how to strengthen your voice.